Japan: Beauty
& The
Glyph ©
by Jeff
Matthews
Reader-san,
I had a postcard for you, too, but a deer
ate it.
That's right. Japan is full of tame deer. Make that "tame". They
play Bambi , but only until they need food. One of them antlered
open my bag while I was in a park washroom and gnawed
through
to the letter 'M' in my postcard collection. This has soured me
on
interspecies glasnost and I am never again giving another animal
anything to eat but raw cigarette butts.
Sitting for six weeks in the Zen
meditation position
has caused profound changes in me. First of all, my knees are killing
me. I'll groan as softly as possible while I tell you all about it.
I spent five dollars on a cup of
coffe, but
that's what you're supposed to do when you're in Tokyo. I also spent
six.
I even got lost in a huge department store. Recall, however, that this
is precisely what happened to Godzilla some years ago, thus saving
entire
sections of the Japanese capital from utter devastation. So I
went
up and down and around, listening to the porcellain dolls who run
the elevators calling out the floors in their crystalline
butterfly-wing
voices. All the while, of course, I was racking up valuable
bonus mileage in the store's Frequent Flyer Program; then the house
dicks
caught on and showed me the door, which is all I ever really wanted in
the first place.
I couldn't even buy pepper in a local
supermarket:
"Pepper. Pepper."
"Paper?"
"No, look," I explained, making the
universal
sign for pepper by shaking imaginary spices from an imaginary
shaker
onto the back of my wrist, then sniffing it and feigning a sneeze.
"Ah, so. Cocaine. Aisle 6, next to the
aspirin."
I noticed that normal looking
adult
males read pornographic comics on the trains. One man sitting next to
me
was dressed for a Toshiba board of directors meeting. He was reading
Mutant
Sex Slaves from Beyond Infinity , the title of which I was able to
piece
together from my meagre knowledge of Japanese and by asking him not to
turn the pages so fast.
Trying to read Japanese reminded me
that
I had really wanted to write an article on language. I remember
sitting
in graduate school doing what I usually did during lectures, humming
and doodling. After one such spell, I looked down and saw that I had
composed
a neat little curly-cue with a destral bend sinister over the fernel.
"Gee, whatzat?" said the cutie sleeping
next to
me.
"Oh," I said, spontaneously given to lying
at
moments like these, "it's something I copied off a stone tablet we…uh…I
uncovered on a dig in Armenian Humongoustan."
"Whadzit mean?"
"We're not sure. Might be a glyph."
"Wow."
That "wow' midwifed my idea of the
'status
glyph', the use of the written language not for expression or
communication,
but for the psychological snob effect of "foreignness".
"Hey, where'd ya get that?"
"Thebes."
"Oh. Whadzit say?"
"Beats me. It's heiroglyphics".
"Wow."
Thus do the Japanese treat English. In
Japan, t-shirts
abound with pointless expressions, unparalled in their ability to
unleash
Zen-like emptyness in the eye of the beholder. Things such as
"toothbrush".
Or "Chance, 3th, we love the game very much" Or the potentially
ominous,
"Be collecting all complete news". That reads like one of
those
once-upon-a-time Marxist party slogans obligatory before real
talk,
like: "Wishing you quota fulfillment and
back-breaking
toil for our Glorious Revolution. What time is it?" But Japanese
t-shirts
aren't political; it's just the status of the English words
they're
after. Like the soft-drink names, which employ the broad "anywhere in
the
ballpark" approach. There's an electrolyte drink for athletes called
Sweat.
Really.
Looking for more and more expensive cups
of coffee,
and foundering on the shoals of inarticulateness, while satisfying to
some,
leave yours truly truly unfulfilled. It's like looking for the ultimate
in the Good, True and Beautiful. Actually, the jury may still be out on
the Good and the True, but the verdict on Beautiful is in and I, the
foreman,
shall now deliver it.
I saw the world's most beautiful
woman in
Tokyo. Imagine that the Creation is being restaged for your benefit.
See
The First Dawn spill its liquid gold down across the unruffled surface
of a high mountain lake as all the eternal criteria for beauty are
established
in the twinkling of an eye. Now, distill the essence of that moment and
let a drop of it fall onto your soul and diffuse into your mind's
eye and see the woman that therein forms, so agonizingly
all-beautious,
it feels like diamonds making love in your solar plexus— beauty
to
lobotomize the will, transubstantiate the
blood to rainbows and turn the
male
brain to tofu. That divine creature whom you now see is but acne on
the
face of true beauty, Eau de Bat-Breath, a supreme bow-wow
compared
to The Woman I saw on the Tokyo subway.
She was sitting and reading. Her head was
at an
angle, her long neck graced by a golden necklace, her straight black
hair
cresting on her right shoulder and falling to her breast. She was
breathing softly, a delicate pianissimo composed by the gods, a
wondrous
constellation in the night sky, Pleiades unto herself of all the
feminine
attributes that have ever haunted the fantasies of man. "This is one
small
step for a Jeff, but a giant leap for Jeffkind," I said to
myself,
(for by this time I had truly begun to rant) as I prepared to do
that which anyone with the soul of a poet and the liver of a lily would have done:
throw
myself from the moving train, so that my last vision in this life would
be of Her. Also, there was always the outside chance that she would
spring
up and restrain me and say, "Ah, you impetuous fool, come here to
me, please". (The "please" would actually be unnecessary). The
chance
of that particular outside chance happening was something like one in a
"googol" ( a one followed by a hundred zeros). What the heck, I was
gonna
go for it. She glanced up at me for a second and though her eyes said:
"Sure, Buster, don't you wish," who knows what was really in her heart?
While I was deliberating, She rose to get
off the
train, then turned towards me and threw her head back and laughed. Her
hair bounced around in slow motion just like the hair in shampoo
commercials
on TV. She moistened her lips with her tongue and mouthed a few
syllables
at me. My Japanese is shaky, but I am sure that she was saying one of
two
things: either (1) I …Love …You — or (2) If …You …Would…Like …To
…Follow
…Me …My …Four …Brothers …Will …Be …Happy …To…Show …You …Their …Black
…Belts.
Well, the train pulled out of paradise
and I was
on it, alone. I think I'm going to console myself with a nice cool can
of Sweat.
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